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Made from German spruce and maple, this instrument is trimmed in ebony. Volume control is on the tailpiece and since the client
wanted to �see both soundholes�, I made the pickguard out of glass. |
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My personal Mystery Pacific for many years, The Queen has an African blackwood back with blotches of sapwood running through
it. She has a cedar soundboard, and the reflector is of boxwood with ebony lightning bolts. |
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This Fleche D�or is made from Mediterranean cypress and trimmed in ebony. The machine heads areWaverlys with ebony buttons. The
soundboard is from yellow cedar(Alaskan cypress) with a rosette of black and yellow stips making the entire guitar yellow and black |
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Harlequin model of ebony and satinwood with yellow cedar soundboard. Note the head design.....side mounted Grovers
with ebony wheels instead of flat knobs. |
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The Mystery Pacific 2002 |
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This mystery pacific is in essence an all yellow and black guitar. the soundboard is Port Orford cedar, the back and
sides are of brszilian satinwood , the neck and head are of Alaska cypress. All the black parts are of Ebony. Note the tapered purfling of the back , the tapered rosette, and the asymetrical heel. A black
anodized tailpiece and multi-wooded bridge and tailblock match the cypress and ebony reflector. |
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Fleche D�or with red hardware |
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Late 18th century baroque guitar. |
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This baroque guitar, apart from the soundboard, is made entirely from holly and ebony. Is is based on the designs of the Voboam
family from France. The rosette is in several layers and is made of parchment paper and very thin cardstock. It has 5 double gut strings and gut frets tied around the neck. It was built about 25 years ago when I
was younger and crazier....... |
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Knutsen style harp-uke |
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